Dangerous Mistakes
by Susan Hunter
on Tour May 7 - 18, 2018
Synopsis:
A clever killer. A smart reporter. An unexpected twist.
Small-town reporter Leah Nash investigates a murder no one else believes happened—until a second death signals the killer's first mistake. Nothing is as it seems, and the twisting trail she follows pits Leah against her police lieutenant best friend, her new boss, and even her mother. Still, the smart and smart-ass Leah can't back down. If she's right, she can save someone she loves. If she's wrong, the next victim could be her.Independent, intrepid and irrepressible Leah Nash can't resist a good story, especially not one that ends in murder. Sharp dialogue, plots that move and storylines full of unexpected turns make this series a fan favorite.
Book Details:
Genre: Mystery
Published by: Himmel River Press
Publication Date: November 2015
Number of Pages: 370
ISBN: 1519208588 (ISBN13: 9781519208583)
Series: Leah Nash Mysteries #2 (Each is a Stand Alone Mystery)
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An Interview:
-When did you decide to become a writer?
• I stumbled into it, rather than decided, I think. I always enjoyed writing and reading—no doubt that's why I became an English major. But I wasn't sure what I was going to do with the degree. I was on the verge of applying to law school when I started doing a few feature stories for the local newspaper. From there I became a regular stringer, then a reporter and finally managing editor. But a small-town paper is a hard-knock life when you have a family with young children. So, I moved from there to writing and managing publications at a nearby university. I started seriously working on becoming a fiction writer, specifically a mystery writer, about six years ago.
-What are your ambitions for your writing career?
• I'm not a great one for long-range planning, but I have a vague sense that I'd like to reach the six-book mark in the series (I'm working on number five now) which will be a turning point for my lead character, reporter Leah Nash. The sixth book might serve as the close of the series, if that seems right at the time, or it will mark the start of a new phase in her life. I'll know what to do when I get there. I hope.
-Give us an insight into your main character. What does he/she do that is so special?
• Leah Nash is a reporter who has fallen from grace a bit. She started her career at her hometown paper, rose through the ranks and was on track to move from a regional daily to a national paper, but she lost the chance because of her own impulsiveness. At the start of the series, she's back where she started, and looking for a way to get her career back on track. Leah is equal parts smart and smartass. She's loyal, funny and quick-witted. She can also be stubborn, single-minded, and impulsive. Readers tend to love her or hate her. Fortunately, so far those who love her have significantly outnumbered those who don't. One reviewer summed Leah up this way: "A perfectly imperfect heroine."
-Do you have a special time to write or how is your day structured?
• I usually start writing after breakfast and work for a couple of hours before taking a break. Then I might run errands or have lunch with a friend or do whatever else needs doing. Typically, I write again for two or three hours in the afternoon. I use Scrivener software to write my books. It has a wonderful feature for keeping me on task. You just plug in the total word count for your finished manuscript, how many days a week you'll be writing, and the date you want to have the manuscript completed. Scrivener tells you how many words you have to write each day, and then it nags you like a good mother by showing you a red line moving ever closer to your daily goal with each word you type. When you hit your quota, it turns green, and you feel a happy surge of accomplishment. It's kept me typing on many a day when the summer weather was calling to me.
-Where do the ideas come from?
• Quite often from an article I've read online or in a magazine. I keep a folder on my computer into which I toss anything I come across—an unusual death, a new way to recover text messages, an unsolved disappearance—that might be useful in future book. I also use my phone to record quick memos to myself when I see an interaction between two strangers, or observe some inexplicable behavior, or overhear a snippet of conversation that could become part of a plot.
-Do you work to an outline or plot or do you prefer just see where an idea takes you?
• I plan things out pretty well before I actually start writing, though I don't use an outline as such. I think of the murder first, and then I learn all I can about the victim by writing a thorough backstory for her or him. From there I move on to the characters who would have reason to want her/him dead and do backstories for them as well. At that point, I decide who actually committed the murder, write out what happened "the night of" and then overlay it with other possible scenarios that explain why each of my suspects could have done it. By the time I'm done with that, I have a pretty good idea of how the story will go, and then I think about how it will end. When all that's done, I make a list of secrets to be revealed and twists to (hopefully) surprise the reader. And then the real writing begins.
-Any tips on how to get through the dreaded writer’s block?
• It's hard to do when you're trying to meet a deadline, but I find it really helps to step away from it all for a few days and let my subconscious do some work. If I get busy on other things and don't focus so hard on how to get started or how to write myself out of an impasse I've reached, a way forward usually surfaces. And if it doesn't, then I force myself to keep a schedule and just write without judgement. It doesn’t matter if it doesn't hold together well, or I don't like the way it flows, I just keep going. I do that every day until the dam breaks and the ideas I need come tumbling out. Just keep writing.
-What can we expect from you down the line?
• Book 5 in the Leah Nash series will be coming out this fall. It usually takes me about a year from gleam-in-my-eye until production as an ebook and paperback. As I noted above, I have a vague plan that Book 6 will make a natural break for me, when I'll decide if this series is finished, or if it just marks a turning point and a move toward something new for Leah. At the moment, I'm so fond of my characters and their world that it's hard to imagine leaving them behind. Especially because I don't want them going on with their lives without me.
Read an excerpt:
Chapter 1
“All of us are dying.”“Well, yes, I guess I can’t argue with that, Betty,” I said to the slight, white-haired woman seated behind my desk in the newsroom. I had come barreling in to pick up a new notebook, late for my next assignment.
“Oops, sorry, if I could just get into that center desk drawer there.” I gently rolled her away from the desk, edged my drawer out a couple of inches, and stuck my arm into the depths until I felt cardboard. I tweezered out the spiral-bound notebook between two fingers.
“All of us. Dying. It’s not right.”
I slipped the notebook into my purse and moved to scoot Betty back into position, mentally cursing our receptionist Courtnee for sending her back to the newsroom. Again. Betty Meier was a retired nurse in her 80s. Years ago, during my first stint at the Himmel Times Weekly, she often stopped by to drop off an ad for a garage sale, or a press release for the Sunshine Girls bazaar, or to put in a notice for one of the many other groups to which she belonged. But now she suffered from Alzheimer’s, and when she came to the office, it was because she’d wandered away from home. This was the third time in the past two months that she’d ended up here. As I reached round her to slide the chair, she grabbed my arm, clamping on with almost desperate strength.
Startled, I looked down into her upturned face. The spark of life in her faded blue eyes caught me by surprise. I swallowed the placating answer I’d been about to give.
“No, Betty, it’s not right. It doesn’t matter how old we are. No one wants to go into that good night.” I pulled up the visitor’s chair and sat down so we were eye level.
“No, no, no! It’s us. Everyone is dying. Where’s Max? I want to talk to Max.” The bright light had gone out as quickly as it had come, and her eyes took on a cloudy cast again. Her fingers released their grip, and her voice became querulous.
“Max isn’t here anymore, Betty.” Max, the former owner of the Himmel Times Weekly, wasn’t just gone, he was dead. How and why he died was something I didn’t like to talk about, but never really stopped thinking about.
Just then a harried-looking woman in her early 40s burst through the door.
“Mom! I’ve been looking all over for you. Sweetheart, what are you doing here?” She knelt down and patted her mother’s arm. In an aside, she said to me, “I’m sorry, Leah. The caregiver didn’t show up. Mom’s next door neighbor went over, but then her dog got hit by a car, and she had to leave. I rushed out of work. It was only 10 minutes, but when I got there Mom was gone.”
“Don’t worry about it, Deborah. It’s OK.”
“Sometimes she seems fine, you know? The other day, out of nowhere, she said, ‘How was work, Debbie?’ It almost broke my heart. She hadn’t initiated a conversation in weeks, and then for a second, there she was. My mom. And just as quickly she was gone, and there was a confused old lady who didn’t know who I was.”
“I’m sorry,” I said, awkwardly and inadequately. Two things I specialize in, awkward and inadequate. “She keeps saying all her friends are dying.”
She nodded. “I took her to a funeral a month or so ago. I knew she’d want to be there, but I shouldn’t have. She’s been upset ever since.” She turned to her mother again. “Mom, let’s go home. Tandy’s coming over tonight, and we’ll have dinner and watch some family movies. That’ll be nice, won’t it?” She slid her arm under her mother’s and helped her up. As they left, she turned to me. “Leah, again, I’m so sorry. I know we can’t go on like this. It isn’t safe for her.”
“It’s not easy,” I said, though in truth, and thank God, I knew nothing about the pain of the parent-to-child reversal Deborah was experiencing. My mother–maddening, bossy, loving, funny woman that she is–still has full control of all her faculties, and would happily take charge of mine if I’d let her.
I followed Deborah out the door on a run, but I was already 15 minutes late for an interview with the incoming principal at Himmel High School.
* * *
“Really, Courtnee? Betty Meier sitting in the newsroom? At my desk? Why did you take her back there?”
It was nearly five when I got back to the office, and I was a little on the pissy side. Make that a lot. My interview with the principal didn’t go well. He was unhappy because I was late and even madder when I left early. I had to, or I’d have missed shooting a ribbon-cutting ceremony at the new McDonald’s franchise. That’s the kind of cutting-edge journalism we do here at the Himmel Times. On the way back to the office, the iced tea I’d bought at the drive-through tipped over, and half of it ran into my purse. In fairness, I couldn’t blame Courtnee for that, but I think that fairness is far overrated.
Looking up from her Facebook account, Courtnee gave a shrug.
“I’m a receptionist, Leah. It’s my job to receive. So, I received her into the newsroom. You were gone, and Miguel is out, and Rebecca wasn’t here, and like always, I had to take care of things myself. She likes sitting at your desk.”
Miguel Santos is the other full-time reporter, and Rebecca Hartfield is the publisher and micromanager at the Times.
“The next time she comes in, if there is a next time, ‘receive’ her in reception. Sit her down—out here—and call her daughter. OK?”
“Okaayy.” She gave a flip of her silky blonde hair and turned to read the text that had just pinged on her phone. At the same time a loud static-filled squawk came from the scanner in the newsroom. I couldn’t make out the words, but I didn’t need to, because Rebecca was already out of her office to translate. She’s a cool blonde—calm, measured, methodical. And, oddly, not that crazy about me.
“Good, you’re still here. There’s a working fire at 529 Halston. A residence. I need you to cover it.”
“But I’ve got a Parks Committee meeting. Miguel is—”
“He’s still in Milwaukee. You can do a phone follow-up on the meeting. Is there a problem?”
“No. Nothing,” I muttered. I grabbed the camera and headed out.
* * *
My name is Leah Nash, and in the exciting, competitive, high-adrenalin carnival that is journalism, I operate the merry-go-round. I’m a reporter for a small-town weekly in Himmel, Wisconsin. It’s where I started 11 years ago, and it’s where I landed 18 months ago, after a series of bad career decisions. I had an exit strategy, but it hadn’t come together quite yet.
The fire assignment was no big deal. Except it was. Though I wasn’t about to confide my darkest fears to Rebecca, who, as far as I can tell, has the empathy and emotional range of a Popsicle. The truth is, I’m afraid of fires—to the point of hyperventilating and quaking in my shoes. Have been since I was 10 years old. I never willingly cover one. But sometimes I have no choice.
My hands were sweaty on the wheel, and I was repeating “breathe in, breathe out” in a frenzied mantra as I pulled up. Smoke billowed from the back of a small two-story house. Here and there yellow flames shot red-tipped tongues out the windows. Gray ash snowflakes floated through the air as firefighters wrangled hoses, flooding the fire into submission. Still, I sat in my car, unable to open the door and move closer to the burning house. Hard as I tried not to let it, my mind hurtled back to another fire, a long time ago. I squeezed my eyes tight to shut out the images. A second later they popped back open in surprise at the sharp rapping near my ears. I rolled down the window so that David Cooper could lean in.
“Hey, Coop.”
“Hey. What are you doing here? Where’s Miguel?”
“Rebecca sent him out of town. So, it’s me.” I struggled to put on an air of professionalism as I opened the door and hauled out my camera bag. Coop is my oldest friend and a lieutenant with the Himmel Police Department.
“So, what’s the story? Anyone hurt? What are the damages? Do they know how it started?” I fired off questions, determined not to let him know how hard it was to force myself to walk closer toward the heat of the fire, to hear the snap and pop as it ate through dry wood, the crash as a section of roof gave way.
I didn’t fool him. Coop doesn’t say much. But he sees a lot. Which I find quite irritating when it’s me he’s looking at.
“Al Porter’s over by the ladder truck. He thinks it’s just about under control. I’ll point him in your direction when he gets off the phone. No sense you going over there and getting in the way.”
I try not to let my weaknesses show. If anyone sees what hurts or scares you, it makes you vulnerable. And, in my experience, that’s not a good thing.
I shook my head. “I’m going over to talk to him.”
He looked at me, but didn’t say anything.
“Look, I’m fine.”
“Yeah, I know.”
“Don’t patronize me. I hate it when you patronize me.”
“I’m not. Just saying it’s wet and slippery and crowded over there. Call Al over here, and you’d be out of the way. Suit yourself.”
“I will.”
“Oh, I know.”
We could have gone on like 10-year-olds forever—at least I could have—but the fire chief walked up just then.
“Leah.” He nodded and paused to wipe a rivulet of sweat running down the side of his face, smearing ash across his cheek. He had pulled off his yellow helmet, and I could see that his gray hair was wet and curling in wisps. Pushing 60, and about 30 pounds over fighting weight, Al isn’t going to be September in anyone’s Fire Fighters Calendar. But he knows how to run a crew, keep them safe, and put out the fire, and no one is in any hurry to tell him to hang up his turnout gear.
“You’re a little late to the party. But Matt McGreevy got some good shots and video too.”
I could’ve kissed Al and Matt both, but I played it casual. “Oh? Sure, that’d be great. Whose house is it?”
“Old gal by the name of Betty Meier.”
Al picked up on the shock I felt right away.
“It’s OK, Leah. You know her? She wasn’t home. Nobody was. Well, except for one pretty mad cat, but we got her out all right. The old lady was at her daughter’s, the neighbor said. I guess she’s got some dementia issues. Might have left on the gas burner on the stove. But don’t print that,” he hastened to add. “We’re gonna have the state fire marshal in.”
A loud whoosh of water hit the house just then, spraying the charred remains. No flames were visible, but I knew that didn’t mean the fire was out. Some of the crew would be on the scene for a couple of hours to make sure the blaze didn’t start up again.
“She’s wandered away a few times and come to the paper, asking for Max. I talked to her daughter today. I think she’s probably going to move her to a nursing home.” Poor Betty. Losing all her friends, her memories, and tonight it could have been her life. It’s true. Old age isn’t for sissies.
“Yeah. I’d say it’s past time for that. Fire can move so damn fast. People don’t realize how—” He stopped. Looked at me. Looked embarrassed. I helped him roll on past a subject I didn’t want to delve into either.
“For sure. So, who called it in? What’s the damage estimate?” I went through the standard reporter’s litany of who, what, when, where, why questions, and when I had all the information Al could give me at the moment, I asked Matt to email me his photos and video.
Then I packed it in and went back to the office to post a few pictures and a news brief on the Times website. I stopped by the front desk and checked the spike on the corner of Courtnee’s desk for messages. At 6:30 p.m. she was long gone.
I pulled off the notes for me and gave them a quick glance. Nothing looked urgent, so I stuffed them in my purse to read later. In the newsroom, I didn’t bother to flip on the light, just turned on my desk lamp and used the blue glow of the computer screen. It was kind of nice there in the semi-dark. There was no jangle of Courtnee’s unanswered phones in reception, no tap-tap-tap of other keyboards, no repeated clunking of cans of soda coming out of the Coke machine.
Before I started writing, I texted Coop and Miguel to see if they wanted to meet up for a beer and a burger at McClain’s, then I filed a quick story. I uploaded two of the photos Matt had sent to my iPhone and a short video clip. When I finished, I leaned back for a long, satisfying yawn and stretch, my chair tilted and my arms reaching as far back as possible. I was right at that almost orgasmic point of satisfaction, when every muscle was extended and just on the edge of relaxing, when the light clicked on.
“Leah.”
I all but tumbled out of my chair.
“Rebecca! Geez, how about some warning when you creep in on little cat feet?”
“Did you get the story?” Her eyes, the color of a blue-tinged icicle, blinked behind her black-framed glasses.
“Already written. Nobody hurt. Betty, the woman who owns the house, wasn’t there. Property’s totaled though.”
“Photos?”
“Yep.”
“All right, good. Pull the commission story from the front page and run with the fire above the fold—if the pictures are any good. Are they?”
“Matt McGreevy took them. They’re great. It was really nice of him to share them, especially since you fired him last month.”
“I did not fire him. Stringers aren’t employees. They’re independent contractors. Why didn’t you take the photos?”
I flashed back to my near panic attack at the fire, my dithering around the edge trying to get my nerves under control. The shaming fear that had gripped me. “I got there too late. Matt rolled out with the fire department—he does their videography. And he’s a good guy, so he shared them, even though you ‘not’ fired him.”
“I don’t cut costs for fun. It has to be done. That’s my job.” She spoke slowly, as though explaining something to a small child.
I gave in to the urge to get a rise out of her. “I thought you went to journalism school. Not bean counting academy.”
“I was hired to get the Times in better financial shape, and that requires the counting of some beans. It might be easier if you didn’t take every decision as a personal affront.”
Something in her voice made me look up from putting away my stuff. She had taken off her glasses and was rubbing the bridge of her nose. Her shoulders had sagged a little, and for a minute I saw her as a woman with a tough job, who didn’t have the luxury of casual banter with her staff or after-work drinks at McClain’s. Her role was to be the bad guy, the nay-sayer, the buzz-killer. That had to be pretty lonely. She was only 36, just a few years older than me.
“Rebecca, would you like to—”
She cut me off before I could invite her to stop by McClain’s with me. “Don’t forget to turn your mileage in tomorrow. It’s the cutoff, and you won’t get paid this month if you don’t get it in. I’ve already told Courtnee that.”
As part of the general cutbacks and reassignments in Rebecca’s lean and mean vision for the Times, Courtnee had been assigned the task of processing mileage and expense reports. It had proven to be one of the more effective cost-saving measures, because half the time Courtnee didn’t finish the reports in time for us to get paid for the month, which she always insisted was our fault. The other half of the time, she screwed them up, and they didn’t get processed correctly until the following month. I suspected there was some method to Rebecca’s madness in giving the job to Courtnee, in that to some degree, expenses were always deferred.
“Right.” I gathered my things and left before saying something I’d regret. Working at the Times wasn’t exactly a step up the career ladder, but when Max was here it was fun. I missed the camaraderie, the kidding around, the messy, lively, frustrating, fulfilling business of putting out a paper. When Rebecca first started, I thought we might be friends. She’s near my age, she’s from Wisconsin like me, and she’d even worked at the Grand Rapids Press in Michigan, like I had, though at a different time. It just seemed like we’d have a lot in common. Instead, Rebecca sucked the happy right out of the air. If it weren’t for Miguel, I might have done something stupid like I did at the Miami Star Register. Namely, leaving one job without having another waiting. I wanted to play it smart this time. But she was making it awfully hard.
***
Excerpt from Dangerous Mistakes by Susan Hunter. Copyright © 2018 by Susan Hunter. Reproduced with permission from Susan Hunter. All rights reserved.
Author Bio:
Susan Hunter is a charter member of Introverts International (which meets the 12th of Never at an undisclosed location). She has worked as a reporter and managing editor, during which time she received a first-place UPI award for investigative reporting and a Michigan Press Association first place award for enterprise/feature reporting.
Susan has also taught composition at the college level, written advertising copy, newsletters, press releases, speeches, web copy, academic papers and memos. Lots and lots of memos. She lives in rural Michigan with her husband Gary, who is a man of action, not words.
During certain times of the day, she can be found wandering the mean streets of small-town Himmel, Wisconsin, dropping off a story lead at the Himmel Times Weekly, or meeting friends for a drink at McClain's Bar and Grill.
Catch Up With Susan Hunter On: leahnashmysteries.com, Goodreads, Twitter - @LeahNashMystery, & Facebook - leahnashmysteries!
Tour Participants:
Visit the other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!Giveaway:
This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Susan Hunter. There will be 1 winner of one (1) Amazon.com gift Card. The giveaway begins on May 7 and runs through May 20, 2018. Void where prohibited.
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